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GRAVITAS Magazine Winter 2016

Florists' Review Media Group has served the global floral in study for over 124 years.

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GRAVITAS MAGAZINE GravitasMag.com | 79 GRAVITAS MAGAZINE GravitasMag.com | 79 Apart from his love of wholesome, family entertainment, Walt Disney had a deep appreciation for the peculiar and that led to a short-lived partnership and decades-long friendship with surrealist Salvador Dali. Disney was born in Chicago in 1901 and Dali just three years later in Catalonia and they both began drawing at a young age. Over time, their childhood imaginations blossomed into impressive portfolios earning them each accolades but from quite different crowds. Disney became drawn to Dali and shortly after World War II, he approached the artist to collaborate on a film. After facing critics who felt his work favored tradition and safety over innovation, Disney took a turn to surrealism and released Fantasia in 1940. This evocative film melded animated imagery with classical music marking a new era for Disney. Following Fantasia, Disney recruited Dali to collaborate on "Destino." The film, based off a Mexican folk song of the same name, follows Chornos, the serpent-shaped god, on his hopeless quest for a mortal woman. Sans dialoge, the hallucinatory romp features the unearthly soundtrack by Mexican songwriter Armando Dominguez. The project was, unfortunately, never completed. Disney pulled the plug on the film after its third month of production. Despite this setback, Disney and Dali had a mutual admiration for each other and formed a strong friendship in the process. The two remained in touch for the remainder of their lives and even traveled to each other's homes and discussed future plans for cinematic collaborations. Disney and Dali: An Unlikely Pair FROM TOP: Mary Blair, "Fantasy sequence of maids," Cinderella concept art, ca. 1950 The DalĂ­ and Disney families around the dinner table in Spain, 1957

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